Original
grunge pioneers Soundgarden are back with their first new music since 1997.
Unfortunately, it’s only one song, and it’s for a mega Hollywood blockbuster’s
soundtrack, but there’s no denying that “Live to Rise” is something that this
Gen X’er has been dying to hear. So, without further ado…has the wait been
worth it?
Putting
aside the simmering contempt that I have for Chris Cornell for going hip-hop on
us, disbanding Soundgarden back in the late ‘90s, and bringing Audioslave to an
end a few years ago, I have to admit that he not only does he sound at home
with his old band mates, he sounds pretty good, albeit a bit weathered. What
else would one expect though from one of grunge, and rock in general’s, most
powerfully wailer. I hate to think about that fact that some “studio magic”
probably helped his aging voice somewhat, but at least there’s nary a hint of
auto-tune anywhere in “Live to Rise.” The only real detractor from Cornell’s
part in “Live to Rise” is that once again, for about the millionth time,
Cornell revisits his favorite metaphor of all time: the sun. “Like the sun we
will live to rise/Like the sun we will live and die/and then ignite again.” We’ve
heard this type of lyric from Cornell before, and we’ll probably hear it again.
I can live with it because everything else about the band is still top notch.
In fact, this one track sounds better than almost everything released from
their last album Down On The Upside.
Kim
Thayil might be a little grey in the beard now, but he still has the guitar
chops to reassert his claim to the god of grunge guitar. His detuned drone is
instantly recognizable and, once again, conjures enough uniqueness to stand
apart from the legions of his imitators, much like Jerry Cantrell’s
reinvigorated AIC guitar sound does. Cantrell and Thayil ARE grunge, and I
challenge anyone to successfully argue otherwise. When Thayil launches into his
first Soundgarden solo near the end of “Live to Rise” I quite simply break out
into goose bumps, just like I do every time I hear his solo during “Drown Me.”
I had forgotten how much I missed my favorite grunge guitarist (next to
Cantrell) and it really is heaven hearing him playing and recording again.
The
rest of the band, which comprises Ben Shepherd and Matt Cameron, i.e. the
rhythm section, is just as powerful as they were during Soundgarden’s first
run. Cameron has been pounding the skins for Pearl Jam for about a decade or
more now, so he’s never really been out of the grunge/rock picture, but it’s
great to hear Shepherd back on the four string. Like Thayil equals grunge
guitar, Shepherd equal grunge bass. Cameron has long, as easily, proven himself
to be the best drummer to emerge from the Seattle scene of the early ‘90s, and
he just simply continues to prove this fact with his drumming on “Live to Rise.”
“Live
to Rise” simply whets our appetite for Soundgarden’s new album, due later this
year, and I for one cannot wait for it to drop. Long live the grunge!
4 out of 5 Stars
4 out of 5 Stars
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